| 论绘画作品中光色的表现 |
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| 引用本文： | 许长生.论绘画作品中光色的表现[J].湘南学院学报,2003,24(6):82-84. |
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| 作者姓名： | 许长生 |
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| 作者单位： | 湘南学院,美术系,湖南,郴州,423000 |
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| 摘 要： | 光赋予万物以色彩,艺术家对光色有目的的表现是在文艺复兴以后。到了19世纪末,印象派画家们对光色的研究达到了前所未有的高度。无疑这有助于艺术的进一步发展以及艺术的推陈出新,值得我们借鉴。
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| 关 键 词： | 文艺复兴 印象派 光色 外光 |
| 文章编号： | 1008-2042(2003)06-0082-03 |
| 修稿时间： | 2003年9月17日 |
On the Expression of Light and Color in Paintings |
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| XU Chang-sheng.On the Expression of Light and Color in Paintings[J].Journal of Xiangnan University,2003,24(6):82-84. |
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| Authors: | XU Chang-sheng |
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| Abstract: | Light gives colors to everything in the world. Artists' began to express light and color in paintings on purpose after Renaissance. To the end of the 19th century, painters of the Impression School had reached the highest height in the study of expressing light and color. No doubt, such studies are of help for the further development of art. And therefore, we should learn from them. |
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| Keywords: | Renaissance the Impression School light and color outside light |
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