| 注入男/女主体性灵的并蒂莲--杨骚、白薇剧作审美内涵的性别差异 |
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| 引用本文： | 陈敏.注入男/女主体性灵的并蒂莲--杨骚、白薇剧作审美内涵的性别差异[J].福建师范大学学报(哲学社会科学版),2003,1(4):70-76,148. |
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| 作者姓名： | 陈敏 |
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| 作者单位： | 福建师范大学文学院,福建福州,350007 |
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| 摘 要： | 在20世纪20、30年代中国文坛上，杨骚和白薇是一对卓有成就的情侣剧作家。他们的剧作有着惊人的相似。但由于他们的整个创作中潜藏着一股充满性别差异的强烈的情绪流，他们剧作的审美内涵呈现出迥异的特点。杨骚和白薇剧作的审美内涵的衍变，蕴含了一个重要的命题，给整个现代戏剧史乃至现代文学史提供了不可多得的“个案”。
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| 关 键 词： | 杨骚 白薇 剧作 审美内涵 性别差异 |
| 文章编号： | 1000-5285(2003)04-0070-07 |
Love-matched Couple Full of the Spirit of Male/Female: Aesthetic Connotation of Yang Sao and Bai Wei's Dramas |
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| CHEN Min.Love-matched Couple Full of the Spirit of Male/Female: Aesthetic Connotation of Yang Sao and Bai Wei''''s Dramas[J].Journal of Fujian Normal University(Philosophy and Social Sciences Edtion),2003,1(4):70-76,148. |
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| Authors: | CHEN Min |
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| Abstract: | In the world of letters between 1920s and 1930s,Yang Sao and Bai Wei w ere an outstanding couple of dramatists, who had striking similarity in their pl aywriting. However, as they held a kind of potential strong feeling of gender di stinction in their playwriting, the aesthetic connotation in respective dramas w as utterly different. The changes of the aesthetic connotation in the dramas of Yang Sao and Bai Wei imply an important subject, which provides the rare example s for the whole history of modern dramas even for the history of modern literatu re. |
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| Keywords: | dramatist Yang Sao dramatist Bai Wei playwriting aest hetic connotation gender distinction |
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