| 浅析沧源岩画包含的三大思想意识 |
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| 引用本文： | 袁学文.浅析沧源岩画包含的三大思想意识[J].楚雄师范学院学报,2003,18(5):57-59,49. |
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| 作者姓名： | 袁学文 |
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| 作者单位： | 云南师范大学历史系,云南,昆明,650222 |
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| 摘 要： | 云南临沧地区境内的沧源岩画作为我国南方岩画的典型代表，是沧源一带佤族先民远古时期社会生存生活状态的意识反映，对研究和探讨佤族先民的物质状况和精神意识具有重大的参考价值。本文试从“社会群体意识”、“控制律意识”和“审美意识”三个方面探讨了佤族先民在岩画形成时期具有的思想意识。
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| 关 键 词： | 沧源岩画 佤族先民 社会群体意识 控制律意识 审美意识 |
| 文章编号： | 1671-7406(2003)05-0057-03 |
A preliminary analysis of "three awarenesses" embedded in the Cangyuan rock paintings |
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| YUAN Xuewen.A preliminary analysis of "three awarenesses" embedded in the Cangyuan rock paintings[J].journal of chuxiong normal university,2003,18(5):57-59,49. |
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| Authors: | YUAN Xuewen |
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| Institution: | YUAN Xuewen |
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| Abstract: | As a typical represent in the south region, the Cangyuan rock paintings in Lincang Prefecture, reflecting the life of the people in Cangyuan area in the ancient times, have an important significance in researches into the both material resources and mental awareness of the ancestors of the Wa people. The present paper aims to explore their ideology in the rock painting age from the social collective, control-oriented and aesthetic awarenesses. |
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| Keywords: | the Cangyuan rock paintings the ancestor of the Wa people social collective awareness control-oriented awareness aesthetic awareness |
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