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戴复古与季宋诗风
引用本文:慈波.戴复古与季宋诗风[J].廊坊师范学院学报,2006,22(2):9-12.
作者姓名:慈波
作者单位:复旦大学,中文系,上海,200433
摘    要:作为江湖诗派前期大家,戴复古诗歌由四灵窥入,出入晚唐,又时参江西诗法.他既有取于四灵的风神韵味,又济以江西气格.在创作思想上,他更明确倡导以诗歌抒发忧国伤时的江湖廊庙之思.戴复古立论持中,主张永嘉、江西互益互补,并以自出机杼为诗学目标.这种主张扭转了南宋后期的诗坛风习,促进了江湖诗派与江西诗风的最终合流,并进而影响了遗民诗人的创作.

关 键 词:戴复古  诗风  四灵  江湖诗派  江西诗派
文章编号:1671-1416(2006)02-0009-04
收稿时间:2005-12-22
修稿时间:2005年12月22

Dai Fugu and the Poetic Style of Late South Song Dynasty
CI Bo.Dai Fugu and the Poetic Style of Late South Song Dynasty[J].Journal of Langfang Teachers College,2006,22(2):9-12.
Authors:CI Bo
Abstract:As a distinguished scholar of the earlier Jianghu poetry school,Dai Fugu's poetry became popular in late Tang Dynasty with the characteristics of the spirit and metres of both "Wugong Style"of Yaohe school and Jiangxi Style of poetry.In creating thought,he obviously advocates the ideas of concerning the country and time,amphersizing the multual benefit and complement between Yongjia and Jiangxi,and focusing on the individualist ideas,which converts the convention of poetry prevailing in late South Song Dynasty and which leads to the last union of Jianghu school and Jiangxi style,and further influences the poetic creation of later generations.
Keywords:Dai Fugu  style of poetry  Four Souls  Jianghu School  Jiangxi Style
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