| 中国古典戏曲语言的审美特征 |
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| 引用本文： | 康锦屏.中国古典戏曲语言的审美特征[J].北京教育学院学报,2001,15(4):10-16. |
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| 作者姓名： | 康锦屏 |
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| 作者单位： | 北京教育学院,中文系,北京,100011 |
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| 摘 要： | 戏曲语言美理论研究开始于元周德清 ,发展于明王骥德 ,大体完成于清人李渔 ;近人王国维“自然”、“意境”说出 ,理论研究开始向近代形态转化。戏曲作品语言美主要表现在 :南北异制 ,各呈范型 ;曲白兼美 ,交相辉映 ;本色文采 ,合则双美 ;风格异趣 ,尽展才情
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| 关 键 词： | 中国古典戏曲 语言 审美特征 |
| 文章编号： | 1008-228X(2001)04-0010-07 |
| 修稿时间： | 2001年11月15日 |
On Characteristic of Language in China's Traditional Operas |
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| KANG Jin-ping.On Characteristic of Language in China''''s Traditional Operas[J].Journal of Beijing Institute of Education,2001,15(4):10-16. |
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| Authors: | KANG Jin-ping |
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| Abstract: | Unlike domestic and international operas and ballets,China's traditional opera is a comprehensive art combined with dance drama and modern drama. The research in its language started with Zhou De qing during the Yuan Dynasty,and it is Wang Guo wei who made the research perfect.The opera's aesthetic language is still enjoyed by today's readers. |
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| Keywords: | China's traditional poera language characteristic |
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