| 中国画探赜 |
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| 引用本文： | 张志强.中国画探赜[J].廊坊师范学院学报,2003,19(4):66-68,80. |
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| 作者姓名： | 张志强 |
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| 作者单位： | 廊坊师范学院,艺术系,河北,廊坊,065000 |
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| 摘 要： | 笔墨问题是中国画发展历史中一个争论不休探索不止的问题，笔墨各有着自己的不同表现形态，中国画以笔墨的完美结合表现出物象的笔情墨趣，表现物象的明暗，凹凸，向背，空间，质量，意境，气氛，是构成中国画艺术品位的决定性因素和关键所在，所以重视笔墨是提高中国画艺术品位的必要手段。
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| 关 键 词： | 中国画 笔墨结合 完美 |
| 文章编号： | 1671-1416(2003)04-0066-04 |
An Exploration into the Profundity of Traditional Chinese Painting |
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| ZHANG Zhi-qiang.An Exploration into the Profundity of Traditional Chinese Painting[J].Journal of Langfang Teachers College,2003,19(4):66-68,80. |
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| Authors: | ZHANG Zhi-qiang |
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| Abstract: | The problem of using painting brush and ink is a ceaselessly disputable problem. Painting brush and ink both have their own different forms of representation. Traditional Chinese painting, which can achieve harmonious artistic taste by perfectly combining the two and can portray the brightness and darkness, concavity and intaglio, face and back, space, quality, mood and atmosphere of the object, is the decisive element and key to determine the quality of painting, therefore, stress on the way of using painting brush and ink is a necessary measure of improving the artistic quality of Chinese painting. |
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| Keywords: | traditional Chinese painting to combine ways of using painting brush and ink perfection |
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