| 《文心雕龙》的五言诗论 |
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| 引用本文： | 贾琳.《文心雕龙》的五言诗论[J].绥化学院学报,2011(4):147-149. |
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| 作者姓名： | 贾琳 |
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| 作者单位： | 首都师范大学,北京,100037 |
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| 摘 要： | 在《文心雕龙》的论诗之言中，五言诗论重要且独特，然而前人未对它做过专题的研究。文章分析了《文心雕龙》的五言诗论之后提炼了刘勰的五言诗现，并将其与同时代的五言诗观相比较，指出了它的独特性。刘勰的“折中”观念在其五言诗论中也有所体现：他承认五言的流变，但不因此贬低；不反对人力雕琢。强调要建立在自然而然的基础上；情与采兼重。
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| 关 键 词： | 《文心雕龙》 五言诗论 清丽 挺拔独立 婉转遥深 |
The Theory of Poems with Five Characters to a Line in The Literary Mind and The Carving of Dragons |
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| Jia Lin.The Theory of Poems with Five Characters to a Line in The Literary Mind and The Carving of Dragons[J].Journal of Suihua University,2011(4):147-149. |
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| Authors: | Jia Lin |
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| Institution: | Jia Lin (The Capital Normal University Haidian Beijing 100037) |
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| Abstract: | Among the poetics in The Literary Mind and The Carving of Dragons, The theory of poems with five characters to a line is significant and unique.But the former researchers didn't study The Literary Mind and The Carving of Dragons monographically.This article analyzes the theory of poems with five characters to a line in The Literary Mind and The Carving of Dragons and then abstracts Liu Xie's view of poems with five characters to a line,,and compares them with the other views of poems with five characters to... |
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| Keywords: | The Literary Mind and The Carving of Dragons The theory of poems with five characters to a line Natural beauty uniqueness and independence Tactfulness and profoundity |
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