| 绘画观察谈 |
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| 引用本文： | 王焕然.绘画观察谈[J].南阳师范学院学报,2004,3(8):85-86. |
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| 作者姓名： | 王焕然 |
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| 作者单位： | 郑州师范高等专科学校,美术系,河南,郑州,450015 |
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| 摘 要： | 绘画观察的目的是为绘画有选择地寻求自然形态中那些具有审美价值的因素，只有运用正确的观察方法才能全面地认识客体。这就需要对客体有选择地、深入细致地进行观察，需要对客体进行整体的及在思维的参与下的观察。同时，要提高主体的主观认识、艺术修养和审美能力，才能更好地把握客体中的审美因素。要了解不同化背景和观念形成的不同的观察方式，才能更有助于绘画的表现。
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| 关 键 词： | 绘画观察 选择性 审美经验 整体观察 分析比较 观察方法 |
| 文章编号： | 1671-6132(2004)08-0085-02 |
| 修稿时间： | 2004年3月3日 |
Observation in Painting |
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| Wang Huanran.Observation in Painting[J].Journal of Nanyang Teachers College,2004,3(8):85-86. |
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| Authors: | Wang Huanran |
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| Abstract: | To observe the brushwork is to choose the aesthetic factors from the natural figures for painting. Only to use the appropriate method can we obtain a thorough acquaintaince of the objects. And this results in the selective, deep and delicate observation and results in the thorough observation with the participation of the thinking. At the same time, the painters should improve their subjective understanding, aesthetic disposition and ability in order to grasp the aesthetic factors. Also, to understand the cultural background and the observation method formed by different conceptions is beneficial to the presentation of the brushworks. |
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| Keywords: | the observation of the brushwork selectivity aesthetic experiences thorough observation analytical comparision the observation method |
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