| 从《调笑》与转踏的离合看转踏对词的影响 |
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| 引用本文： | 彭洁明.从《调笑》与转踏的离合看转踏对词的影响[J].四川师范大学学报(社会科学版),2011,38(3):171-176. |
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| 作者姓名： | 彭洁明 |
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| 作者单位： | 南京大学,文学院,南京,210093 |
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| 摘 要： | 歌舞戏转踏与《调笑》在宋代关系密切。《调笑》是宋人写作转踏最为常用的词调,转踏从南宋开始式微,《调笑》词保留了作为转踏歌辞的痕迹,同时又有变化。关于《调笑》和转踏的离合这一具体问题,如果以歌舞戏为本位,得出的结论似乎是《调笑》离开转踏单独发展,离散了音乐先天赋予它的形制,割裂了与音乐的关系,也在某种程度上失去了戏剧性;而如果以词为本位,得出的结论或许就是《调笑》接受了转踏赋予它的某些特征,为词的发展带来了新气象,即使在后世已经不再与歌舞相融,也启发了词体的某些新因素。这两种截然不同的结论,正恰恰从反、正两方面显示着《调笑》与转踏离分之后的态势。
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| 关 键 词： | 《调笑》 转踏 歌舞戏 词 |
The Influence of Zhuan Ta on the Ci from the Separation and Reunion of Tiao Xiao and Zhuan Ta |
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| PENG Jie-ming.The Influence of Zhuan Ta on the Ci from the Separation and Reunion of Tiao Xiao and Zhuan Ta[J].Journal of Sichuan Normal University(Social Science Edition),2011,38(3):171-176. |
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| Authors: | PENG Jie-ming |
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| Institution: | PENG Jie-ming(School of Liberal Arts,Nanjing University,Nanjing,Jiangshu 210093,China) |
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| Abstract: | "Zhuanta",a style of traditional Song-dance drama,was closely related to Tiao Xiao in the Song Dynasty.Poets always wrote "Zhuanta" in the form of Tiao Xiao."Zhuanta" declined from the southern Song Dynasty,while Tiao Xiao still remained the vestige of the literal material of "Zhuanta" as lyrics of musical art form,however,with some changes.When probing into the relationship between "Zhuanta" and Tiao Xiao,if setting Song-dance drama as fundamental,the conclusion should be that Tiao Xiao was derived from "Zhuanta" but developed individually: its connection with music had been cut off,and its theatricality was lost to some extent.But if setting Ci as fundamental,the conclusion may be that Tiao Xiao embodied some characteristics of "Zhuanta",and refreshed the development of Ci.Even if they no longer mixed together with Song-dance drama afterwards,it still brought some new elements to the form of Ci.These two seemingly completely contradictory conclusions show us the development of Tiao Xiao when it departed from "Zhuanta" in two opposite ways. |
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| Keywords: | Tiao Xiao Zhuanta Song-dance drama Ci |
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