| 中国当代女性电影、女性生存及未来——以三部当代女性电影为例 |
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| 引用本文： | 郭泽青.中国当代女性电影、女性生存及未来——以三部当代女性电影为例[J].莆田学院学报,2006,13(3):73-77. |
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| 作者姓名： | 郭泽青 |
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| 作者单位： | 泉州师范学院,人文学院,福建,泉州,362000 |
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| 摘 要： | 《一个陌生女人的来信》、《生死劫》、《红颜》三部当代女性电影以全新的女性视角和肆意的“阴性书写”观察社会,观照中国现代女性生存现实,表现出鲜明的女性意识和女性情感。在男权依旧膨胀的现代社会,女性电影的探索历程势必是艰辛、漫长和充满矛盾的。讲究方法策略,正视性别问题,重建个性尊严、自由平等的社会正义,这理应是中国当代女性和女性电影共同的理想彼岸。
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| 关 键 词： | 女性电影 女性意识 一个陌生女人的来信 生死劫 红颜 |
| 文章编号： | 1672-4143(2006)03-0073-05 |
| 收稿时间： | 2006-03-30 |
| 修稿时间： | 2006年3月30日 |
The Modern Women's Films in China,the Existence of Women and Their Future--Take Three Modern Women's Films for Example |
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| GUO Ze-qing.The Modern Women''''s Films in China,the Existence of Women and Their Future--Take Three Modern Women''''s Films for Example[J].journal of putian university,2006,13(3):73-77. |
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| Authors: | GUO Ze-qing |
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| Institution: | College of Humanity, Quanzhou Normal University, Quanzhou 362000, China |
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| Abstract: | In the following three modern women's films: Letter from an Unknown Woman,Life and Death Plunder,and Dam Street,the society was depicted from a new female perspective and wanton feminine-writing,the living situation of Chinese modern women was observed,and their consciousness and feeling were shown obviously as well.In the modern society where the male chauvinism is still popular,it must be a tough process to explore the women's films.To pay attention to the methods and strategies,to face the gender problem,ant to reestablish personality,self-esteem and the society of freedom and equality,all these should be the ideal for the Chinese modern women and women's films to achieve. |
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| Keywords: | women's films women's consciousness the future of the women Letter from an Unknown Woman Life and Death Plunder Dam Street |
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