| 荒诞的美学意义 |
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| 引用本文： | 朱艳.荒诞的美学意义[J].商丘职业技术学院学报,2006,5(6):94-96. |
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| 作者姓名： | 朱艳 |
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| 作者单位： | 华南师范大学,文学院,广东,广州,510006 |
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| 摘 要： | 20世纪西方现代派作家们集中运用了荒诞这一艺术手法,随着世界的变幻和艺术的发展,荒诞逐渐发展成为一种艺术思潮,并在20世纪50～60年代取代了丑的中心地位,成为又一新的审美范畴。荒诞的美学意义与荒诞产生的文化背景、成为审美范畴的缘由以及审美特征密切相关。
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| 关 键 词： | 荒诞 审美 西方现代派文学 |
| 文章编号： | 1671-8127（2006）06-0094-03 |
| 收稿时间： | 2006-09-20 |
| 修稿时间： | 2006年9月20日 |
On the Aesthetic Significance of Absurdness |
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| ZHU Yan.On the Aesthetic Significance of Absurdness[J].Journal of Shangqiu Vocational and Technical College,2006,5(6):94-96. |
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| Authors: | ZHU Yan |
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| Abstract: | In 20th century,absurdness as a form of art,has been used by modern western writers abundantly.With the development of the world and artistic forms,absurdness has become a literary trend of thoughts.In 1950s,.absurdness replaced ugliness,and became a new aesthetic category.This essay illustrates the aesthetic significance of absurdness from aspects of the cultural background,the cause of forming of the aesthetic category and the aesthetic quality. |
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| Keywords: | absurdness aesthetic modernism |
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