| 侯方域的艺术形象研究 |
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| 引用本文： | 蒋星煜.侯方域的艺术形象研究[J].河北师范大学学报(哲学社会科学版),2007,30(5):85-88. |
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| 作者姓名： | 蒋星煜 |
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| 作者单位： | 上海艺术研究院,上海,200237 |
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| 摘 要： | 《桃花扇》曾三易其稿,其中侯方域艺术形象的塑造必然是改动最多、反复最多的部分.孔尚任在不知不觉中可能以侯方域自况,所以陷入了类"借酒浇愁愁更愁"的尴尬境地,其悉心塑造的侯方域艺术形象也引来了诸多议论,而且会继续延伸.
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| 关 键 词： | 孔尚任 《桃花扇》 侯方域 艺术形象 |
| 文章编号： | 1000-5587（2007）05-0085-04 |
| 修稿时间： | 2006-04-25 |
On the artistic images of Hou Fangyu |
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| JIANG Xing-yu.On the artistic images of Hou Fangyu[J].Journal of Hebei Normal University(Philosophy and Social Science),2007,30(5):85-88. |
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| Authors: | JIANG Xing-yu |
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| Institution: | Shanghai Arts Institute, Shanghai 200237, China |
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| Abstract: | The Peach Blossom Fan undergoes three drafts, by which the artistic images of Jou Fangyu are repeatedly switched. Likewise, Kong Shangren cannot help but feel dwindled exactly like the protagonist, deep in the dilemma of feeling more worried despite his otherwise attempts. So criticisms arise endlessly. |
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| Keywords: | Kong Shangren The Peach Blossom Fan Hou Fangyu image |
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