| 音乐的直接欣赏和间接欣赏 |
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| 引用本文： | 廖家骅.音乐的直接欣赏和间接欣赏[J].安徽师范大学学报(人文社会科学版),2004,32(3):325-328,334. |
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| 作者姓名： | 廖家骅 |
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| 作者单位： | 安徽师范大学,音乐学院,安徽,芜湖,241000 |
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| 摘 要： | 音乐欣赏是实践和检验音乐作品存在价值的主要途径.从其传播方式上来看,可以分为直接欣赏和间接欣赏两大类.直接欣赏是表演者和欣赏者面对面的审美活动,是音乐本原声通过空间传播,直接为欣赏者的听觉所感受.而间接欣赏是非面对面的欣赏,它首先将表演出来的音乐通过特定的媒体进行复制,然后以复制音乐的再现供人们欣赏.在现代社会的音乐生活中,直接欣赏和间接欣赏各具有自己的优势和局限,二者互补共存,才能更好地满足人们的审美需求.
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| 关 键 词： | 音乐 直接欣赏 间接欣赏 传播 审美 |
| 文章编号： | 1001-2435(2004)03-0325-04 |
Direct and indirect appreciation of music |
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| LIAO Jia-hua.Direct and indirect appreciation of music[J].Journal of Anhui Normal University(Humanities and Social Sciences),2004,32(3):325-328,334. |
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| Authors: | LIAO Jia-hua |
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| Abstract: | Music appreciation is the main approach of music practice and test of its value. In terms of its spreading way, it can be classified into direct and indirect appreciation. Direct appreciation refers to the face-to-face aesthetic activity between the performers and the appreciators in which music is spread through the space and sensed by the audiences. Indirect appreciation refers to the process in which the audiences enjoy the reproduction of original performed music. In modern music practice, both of the ways have their advantages and disadvantages and should be supplemented with each other in order to meet people's aesthetic needs. |
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| Keywords: | music direct appreciation indirect appreciation spread aesthetic |
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