| 解读《子夜》的"客厅文化" |
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| 引用本文： | 王菲.解读《子夜》的"客厅文化"[J].丽水学院学报,2006,28(4):47-49. |
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| 作者姓名： | 王菲 |
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| 作者单位： | 丽水学院,人文学院,浙江,丽水,323000;浙江大学,人文学院,浙江,杭州,310028 |
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| 摘 要： | 茅盾的《子夜》是20世纪30年代都市文学的巅峰之作,作品通过“客厅文化”这个独特的窗口来剖析中西文化冲突下上海洋场社会各类人物的内在文化心理结构,揭示上海都市文化的特质,而“客厅文化”的本质就是金钱本位化。
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| 关 键 词： | 茅盾 《子夜》 客厅文化 |
| 文章编号： | 1008-6749(2006)04-0047-03 |
| 收稿时间： | 04 1 2006 12:00AM |
| 修稿时间： | 2006年4月1日 |
An Analysis on the Living-Room Culture in Ziye |
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| Wang Fei.An Analysis on the Living-Room Culture in Ziye[J].Journal of Lishui University,2006,28(4):47-49. |
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| Authors: | Wang Fei |
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| Institution: | 1. College of Humane Studies, Lishui University, Lishui Zhejiang 323000, China; 2. College of Humane Studies, Zhejiang University, Hangzhou Zhejiang, 310028, China |
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| Abstract: | Ziye,written by Maodun,is the masterpiece in the city literature in 1930s.This paper analyzes the inner cultural and psychological structure of various people of Shanghai's upper-class who were in the collision between the Chinese culture and the west culture through a special window of "living-room culture",and reveals the characteristics of Shanghai city's culture.The essence of "living-room culture" is the worship of money. |
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| Keywords: | Maodun Ziye living room culture |
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