| 审美态度理论的沿革与综述 |
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| 引用本文： | 周效柱.审美态度理论的沿革与综述[J].江苏广播电视大学学报,2001,12(5):36-39. |
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| 作者姓名： | 周效柱 |
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| 作者单位： | 江苏广播电视大学,江苏,南京,210013 |
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| 摘 要： | 在经典艺术中,艺术家和审美主体在从事审美活动时大都能保持一种不同于日常态度的审美态度,审美态度的核心就是要求人们在审美活动中超越自我和实际功利而达到对审美对象的审美静观,审美态度这一学说最早可追溯到柏拉图,而最早用“态度”一词的是夏夫兹博里,之后康德,叔本华等人又对此作了详细的阐述,经布洛的系统解释,它便成了现代美学的支柱,我们可从西方传统美学及现代美学有关审美态度的理论中归纳出一些共性的东西,即审美态度是存在于审美活动中的,不同于实践,理智,道德的一种态度,它的总体特征可用“超越性”来概括。
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| 关 键 词： | 理论 沿革 综述 审美态度 |
| 文章编号： | 1008-4207(2001)05-0036-04 |
| 修稿时间： | 2001年4月23日 |
The Evolution and Summary about the Theory of Aesthetic Attitude |
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| ZHOU,Xiao,zhu.The Evolution and Summary about the Theory of Aesthetic Attitude[J].Journal of Jiangsu Radio & Television University,2001,12(5):36-39. |
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| Authors: | ZHOU Xiao zhu |
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| Abstract: | Most of the artists and aesthetic subjects can hold an attitude different from their daily ones when they engage themselves in aesthetic activities in classic arts. The key point of this attitude is that the people should surpass themselves and the realistic utility in their aesthetic activities, thus attaining an aesthetic appreciation towards the aesthetic objects. The theory of the aesthetic attitude can be traced back to Plato, but Shaftesbury was the person who first used the word "Attitude". After that some people such as Kant and Schopenhauer expounded it. It became the mainstay of contemporary aesthetics after Bullough had expounded it systematically. We can draw a conclusion from a series of theories about aesthetic attitude: it is different from the attitude of practice, intellect and morality. We can summarize the overall feature of the aesthetic attitude with the word of"transcendency". |
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| Keywords: | aesthetic attitude evolution surpass |
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