| 论《神雕侠侣》小说与电视、动画的改编 |
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| 引用本文： | 张杨.论《神雕侠侣》小说与电视、动画的改编[J].苏州教育学院学报,2014(6):35-38. |
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| 作者姓名： | 张杨 |
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| 作者单位： | 苏州大学文学院,江苏苏州215123 |
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| 摘 要： | 《神雕侠侣》从小说到电视剧再到动画剧“，情”之表现渐趋明朗，人物性格渐趋单一，文化内涵渐趋消解。从传播学角度入手，可以看到引起这些变化的根本原因在于传播方式的不同：传播主体、媒介与受众的显著差异，导致其美学特征产生差异，进而使作品发生以上诸种变化。虽然这些表象上的变化在改编中是必然且可以理解的，但文学作品的影视、动画改编仍然必须在尊重原著的基础上充分展现各自的美学特征，才能创作出优秀的艺术作品。
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| 关 键 词： | 《神雕侠侣》 小说 电视 动画 改编 |
Adaptation of The Condor Heroes for TV and Animation |
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| Authors: | ZHANG Yang |
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| Institution: | ZHANG Yang (School of Humanity, Soochow University, Suzhou 215123, China) |
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| Abstract: | Adaptation of The Condor Heroes for TV and animation experiences clearer expression in emotion, less distinct personality and cultural connotation. From the perspective of communication studies, we ifnd that the changes are due to different mode of transmission. Different communication subject, media and audience lead to aesthetic differences. The changes are understandable in adapted works. In order to create excellent works, the adaptation for iflm, TV and animation should maintain its original aesthetic feature. |
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| Keywords: | The Condor Heroes novel TV plays animation adaptation |
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