| 论汉代宫怨赋的情感维度与取象视野 |
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| 引用本文： | 钟涛.论汉代宫怨赋的情感维度与取象视野[J].青海师范大学学报(哲学社会科学版),2005(5):82-86. |
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| 作者姓名： | 钟涛 |
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| 作者单位： | 中国传媒大学,文学院,北京,100024 |
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| 摘 要： | 汉赋中宫怨题材并不多见,但对后世宫怨题材作品的创作和抒情小赋的发展都具有重要意义。相对于《诗经》中的宫怨作品,汉代宫怨赋在表达情感的深度和广度上,都有更深的挖掘和拓展。汉代最重要的宫怨赋出于大赋作家之手,产生于汉大赋全盛期,但其叙述的视角和取像的特点却对抒情小赋具有极大的示范作用。
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| 关 键 词： | 宫怨赋 情感 视野 |
| 文章编号： | 1000-5102(2005)05-0082-05 |
| 收稿时间： | 06 8 2005 12:00AM |
| 修稿时间： | 2005年6月8日 |
In Terms of Han Dynasty the Palace is Blamed and Composed |
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| Zhong Tao.In Terms of Han Dynasty the Palace is Blamed and Composed[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2005(5):82-86. |
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| Authors: | Zhong Tao |
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| Abstract: | Chinese palace blame subject matter isactually rare in composing,but palace blame creation and lyrical little development that compose,subject matter of works significant to later age. Blaming the works to the palace in"the Book of Songs",the palace was blamed and composed on the depth and scope of expressing the emotion in Han Dynasty,there is deeper excavating and expansion.Most important palace subject matters is composed by great writers,coming from the heyday of Han Dynasty,but it narrate and can't fetch visual angle like characteristic to the more lyrical.setting a great example to other creations in Han Danasty. |
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| Keywords: | the palace blaming and composing emotion wsion |
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