| 陈子昂文学史地位之我见 |
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| 引用本文： | 颜廷军.陈子昂文学史地位之我见[J].连云港职业技术学院学报,2008,21(4). |
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| 作者姓名： | 颜廷军 |
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| 作者单位： | 连云港职业技术学院,江苏,连云港,222000 |
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| 摘 要： | 针对齐梁文风，初唐陈子昂在《与东方左史虬修竹篇序》中张扬兴寄风骨的诗风，千余年来受到极高的评价，“子昂始变雅正”成了千古不易的定论。但我们对陈子昂的文学史地位应有全面客观的评价。陈子昂在文学在理论上对六朝文学特别是对齐梁文风进行总体否定，就艺术发展的角度看，是一种退化。他对六朝文学的批判远不如魏征等人所倡导的合南北文风之说那样具有指导意义。
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| 关 键 词： | 陈子昂 兴寄 风骨 全面评价 |
On Chen Zi-ang's Status in Literary History |
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| YAN Ting-jun.On Chen Zi-ang's Status in Literary History[J].Journal of Lianyungang Technical College,2008,21(4). |
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| Authors: | YAN Ting-jun |
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| Abstract: | Compared to writing style in Qi and Liang Dynasties,the poetry styles with Xingji and Fenggu advocated by Chen Zi-ang in his Preface to Xiu Zhu Pian have been highly praised for thousands of years.It was concluded that Zi Ang became standard.However,we have overall and objective comments on Zi-ang's status in literary history.It is a degradation from the aspect of art development that he denied the writing styles of the six dynasties,especially Qi and Liang.Dynasties.Therefore his comments on literature of ... |
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| Keywords: | Chen Zi-ang Xingji Fenggu overall comments |
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