| 《九歌》无对唱说 |
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| 引用本文： | 吴广平.《九歌》无对唱说[J].湘潭师范学院学报(社会科学版),2000(4). |
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| 作者姓名： | 吴广平 |
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| 作者单位： | 湘潭师范学院中文系!湖南湘潭411201 |
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| 摘 要： | 屈原《九歌》，近人多以为其中有对唱。《九歌》中到底哪些篇是对唱，哪些篇是独唱；哪些诗句是男唱，哪些诗句是女唱；哪些诗句是巫唱，哪些诗句是神唱；对唱是正与神的对唱，还是神与神的对唱，抑或是主巫与群正的对唱；各家都根据自己的理解而定，纯粹“以意为之”，没有什么客观标准。事实上，《九歌》本是祭歌。祭歌中所反映的全部乐神活动，都是由巫师执司其事的。巫师在祭祀鬼神时，一身二任，既代表他（她）自己，又装神弄鬼，诡称鬼神已经附体，代表着鬼神。同样的，巫师所唱的祭歌，则时而以巫师的口吻唱，时而又以鬼神的口吻唱，但都出自巫师一人之口。作为祭歌的《九歌》，正是巫师的独唱或合唱（独唱者一人而兼神、巫两种角色），而不是男与女、神与正或主巫与群巫的对唱。
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| 关 键 词： | 屈原 《九歌》 祭歌 演唱形式 对唱 独唱 合唱 |
Absence of Musical Harmony in Dialogue of Antiphonal Style in Nine Songs |
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| WU Guang - ping.Absence of Musical Harmony in Dialogue of Antiphonal Style in Nine Songs[J].Journal of Xiangtan Normal University(Social Science Edition),2000(4). |
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| Authors: | WU Guang - ping |
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| Abstract: | Modern people take it for guted that Nine Songs written by on Yuan had musical harmony in antiphonal style. In Nine Songs, in which the verse was composed in a musical dialogue in an antiphonal style for solo performance; while a line was sung by male and other sung by female; the musical dialogue in antiphonal style was sung in duet by wizard and immortal, or two immortals, or main wizard and group of wizards; different people have different sayings with no objective standard. As a matter or fact, Nine Songs was sacrificial song. All the actions worshipped by immortals were carried out by wizards. When immortal played, a wizard or with took both tasks on their shoulder. On the one hand, he or she represented himself or herself; on the other hand, he or she alleged that immortals were in him or her, faking the immortals appearence. Accordingly, the sacrificial songs sung by the wizard could be at one time the wizard's tone, at the other time the immortal's one, but all of it was done by the wizard. As far as Nine Songs was sacrificial song, that was the wizard's solo performance or with chorus, but not the musical dialogue in antiphonal style sung between male and female, immortal and wizard or main wizard and group of wizards. |
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| Keywords: | Qu Yuan Nine Songs sacrificial songs singing form musical dialogue in antiphonal style solo chorus |
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