| 客体落墨，主体生辉－－杜诗侧写艺术研究 |
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| 引用本文： | 韩成武,贺严.客体落墨，主体生辉－－杜诗侧写艺术研究[J].河南师范大学学报(哲学社会科学版),2002,29(3):40-43. |
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| 作者姓名： | 韩成武 贺严 |
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| 作者单位： | 河北大学,人文学院,河北,保定,071002 |
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| 摘 要： | 杜甫长于侧面描写,即从与主体事物具有某种联系的客体事物下笔,以揭示主体事物的特征。杜甫应用此法十分广泛;或用已知的客体高物来显示主体的高度,或从他人的泪眼来映现个人的不幸,或借观的反应来表现技艺的精绝。杜甫注重侧写,其哲学依凭是儒家的“天人合一”和“人性本善”。在其精神世界里,天地间的万物无不具有灵性,皆能与人发生感应,进行情感交流;而孟子的“恻隐之心,人皆有之”,则是杜甫人性观的基本点,它使杜甫具有一颗同类相悲的心灵。认识和总结这一表现手法,对于繁荣当今的学创作是有意义的。
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| 关 键 词： | 杜诗 侧写艺术 客体 主体 |
| 文章编号： | 1000-2359(2002)03-0040-04 |
| 修稿时间： | 2002年1月23日 |
Writing Object to Make Subject Brilliant--The Artistry of Indirectwriting Expressed in DU Fu's Poems |
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| HAN Cheng,wu et al.Writing Object to Make Subject Brilliant--The Artistry of Indirectwriting Expressed in DU Fu's Poems[J].Journal of Henan Normal University(Philosophy and Social Sciences Edition),2002,29(3):40-43. |
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| Authors: | HAN Cheng wu |
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| Abstract: | Du Fu is adept in scribing indirectly. Sometimes, he shows the stature of the Subject from that of the known object; sometimes, he casts light upon the misfortune through the tears of other people, and he is also used to manifest the perfect artistry by the response of the viewer. He does so in that he believes "The Combination of Heaven and Man" and "The Good Disposition" on the basis of The Confucianism. Du Fu cherishes all the livings so his heart is full of mercy to them. In his poems, he can link up the emotion among all the livings. Today,it is important to know and summarize this artistry displayed in his poems. |
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| Keywords: | DU Fu's poems the artistry of indirectwriting study |
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