| 汉赋中的河南轨迹 |
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| 引用本文： | 黄丽峰.汉赋中的河南轨迹[J].周口师范学院学报,2000(1). |
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| 作者姓名： | 黄丽峰 |
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| 作者单位： | 南阳教育学院中文系!河南南阳473057 |
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| 基金项目： | 国家社科规划基金项目! 96 BZX2 0 3 |
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| 摘 要： | :赋是汉代最流行的文体。汉赋的发展 ,大致经历了骚体赋、散体大赋、抒情小赋三个阶段。每个阶段的代表作品 ,或出于河南籍作家 (如贾谊、张衡 )之手 ,或由寓居河南的文人 (如枚乘、司马相如 )所作。将这些作品连贯起来 ,汉赋的发展线索清晰如绘。因此说 ,汉赋中有着鲜明的河南轨迹
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| 关 键 词： | 汉赋 河南 发展线索 |
Henan Trace in the Style of Fu in Han Dynasty |
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| HUANG Li,feng.Henan Trace in the Style of Fu in Han Dynasty[J].Journal of Zhoukou Normal University,2000(1). |
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| Authors: | HUANG Li feng |
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| Abstract: | Fu is the most popaler style in Han Dynasty.The Development of Hanfu has generally undergone the three periods:Sao tifu,Santi Dafu and Shuqing Xiaofu.The masterpieces in every period were wriffen by the authors,such as JIA Yi,ZHANG heng,who came from Henan or MEI Cheng,SIMA Xiang ru,who lived in Henan,the works are combined together,We can see a clear developing clue just like a beaufiful picture,in the style of Fu in Han Dynasty.Therefore,there is a distinefive frace in Hanfu. |
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| Keywords: | Hanfu Henan developing clue |
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