| 浅谈陕北道情的音乐特色 |
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| 引用本文： | 闫文杰,王惠忠.浅谈陕北道情的音乐特色[J].延安教育学院学报,2009,23(2):110-112,F0003. |
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| 作者姓名： | 闫文杰 王惠忠 |
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| 作者单位： | 延安大学鲁迅艺术学院,陕西,延安,716000 |
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| 基金项目： | 延安大学研究生教育创新计划项目 |
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| 摘 要： | 道情又称“渔鼓”，又名“黄冠体”（道人的装束），源于《九真》、《承天》等唐代道曲，以道教故事为题材，宣传出世思想，后经演变发展为我国民间曲艺的一种。陕北道情是以清涧道情为主体，吸收了陕北民歌及陕北说书的部分曲调，极吴陕北地方特色，成为陕北地区民间曲艺的重要形式，其曲调丰富，音乐优美，主要体现在衬词、节奏、唱腔、调式、过门等方面。
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| 关 键 词： | 陕北道情 唱腔 陕北民歌 陕北说书 |
On The Musicial Characteristics of Shaanbei Taoist Chanting |
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| Yan Wenjie,Wang Huizhong.On The Musicial Characteristics of Shaanbei Taoist Chanting[J].Journal of Yanan College of Education,2009,23(2):110-112,F0003. |
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| Authors: | Yan Wenjie Wang Huizhong |
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| Institution: | Yan Wenjie Wang Huizhong(LuXun College cf Arts, Yanan University,Yanan716000,Shaanxi,China) |
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| Abstract: | Taoist Chanting can be called ＂YuGu＂or ＂Huangguan style＂. It comes from the songs in Tang Dynasty,such as ＂jiuzhen＂, ＂chengtian＂. It conveys the idea of being bom and developed into a kind of folk music. Shaanbei Taoist Chanting is mainly based on qingjian. It partly absorbed the tunes cf folk songs and story-telling in northem Shaanxi and is embodied with great northern Shaanxi characteristics. All of the above makes it become the main folk music in northem Shaanxi region. It is rich in melody and reflected in the lining the words, rhythm, singing ,tune, interlude music and so on. |
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| Keywords: | northem Shaanxi Taoist Chanting singing northem Shaanxi folk swigs northem Shaanxi storytellers |
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