| 海子论 |
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| 引用本文： | 谭五昌.海子论[J].海南师范大学学报(社会科学版),2009,22(3):1-12,95. |
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| 作者姓名： | 谭五昌 |
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| 作者单位： | 北京师范大学,文学院,北京,100875 |
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| 摘 要： | 海子在抒情诗写作领域所显示的杰出艺术才能已为世人所公认，从艺术评价标准的角度而言，海子的抒情诗写作所取得的艺术成就无疑是令人瞩目的，然而海子对于自己雪莱或叶赛宁式的浪漫主义“诗歌王子”的身份并不满意，他渴望成为歌德或但丁那样的诗歌的“王”，这与海子认识到抒情诗所具有的诸多局限性而对抒情诗产生某种轻视态度有关，并由此萌发了史诗创作的热烈追求。这种对于史诗的热烈追求在海子身上体现为一种浓郁的“史诗情结”。海子这种十分浓烈的史诗情结并非一种“突兀”的创作心态现象，而是20世纪80年代初期弥漫整个诗坛的史诗情结的一种回波余响。而一个更为“有趣”的现象是，海子的史诗创作实践，即其创作成果（史诗文本）作为一种诗体在艺术特性层面上的“合法性”，在“第三代”诗人那里遭到了范围较广的质疑乃至嘲讽。这实际上更能凸显出海子史诗创作的独特风貌、品质与价值。
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| 关 键 词： | 史诗创作 史诗情绪 文化阐释 死亡意识 死亡态度 死亡话语 时间情愫 焦虑 |
A Talk on Hal Zi |
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| Authors: | TAN Wu-chang |
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| Institution: | TAN Wu-chang (College of Chinese Language and Literature,Beijing Normal University,Beijing 100875,China) |
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| Abstract: | Hal Zi＇s prowess in lyrics has been universally acknowledged, and he has undoubtedly secured prominent attainments in lyrics in terms of artistic assessment criteria. Nevertheless, dissatisfied with the status of a verse prince of romanticism like Shelley or others, he has been desirous of being a “king” of verse like Haide or Dante, which is somewhat related to his underestimate of lyrics arising from his recognition of various limitations in lyrics, thereby having resulted in his vehement pursuit of epics. As such, his vehement pursuit has come to be a strong “Epic Complex”, which is not something abrupt but closely linked with the Epic Complex widespread in the literary circles of the 1980s. More interestingly, poets of the third generation tended to question the “legitimacy” of Hal Zi＇s epic texts as a genre of verse as regards their artistic traits, which can virtually highlight the unique features, quality and values of Hai Zi＇s epic creation. |
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| Keywords: | epic creation the epic complex cultural interpretation the death consciousness the attitude towards to death discourse on death sentiments on death anxiety |
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