| 论翻译审美和文艺审美的异同 |
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| 引用本文： | 周红民.论翻译审美和文艺审美的异同[J].金陵科技学院学报(社会科学版),2008,22(3). |
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| 作者姓名： | 周红民 |
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| 作者单位： | 南京晓庄学院外国语学院,江苏,南京,211100 |
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| 摘 要： | 翻译“神似”说源自中国传统的“神形”论，它是我国独具特色的翻译理论，总体上反映了翻译的客观规律和创造性，但是主观色彩较浓，因而存在非理性的成分。以“神似”说为基点，比较了翻译审美和文艺审美的异同，认为两者虽然有许多相同点，但翻译审美有其自身的特殊性，如果“神似”审美观遭到误读或滥用，会给译文带来不良后果。
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| 关 键 词： | “神似”说 翻译审美 文艺审美 比较 |
A Comparative Study of Aesthetic Conceptions between Translation and Literature Creation |
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| ZHOU Hong-min.A Comparative Study of Aesthetic Conceptions between Translation and Literature Creation[J].Journal of Jinling Institute of Technology :Social Science Edition,2008,22(3). |
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| Authors: | ZHOU Hong-min |
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| Abstract: | The "spirit resemblance" principle is derived from Chinese traditional "spirit vs form" doctrine,which used to be a yardstick for a piece of art and literature,therefore,Chinese translation theory formulated this way has a lot of characteristics of its own.Though it proves to be true with translating process when the subjectivity of translator is taken into account,it cannot be fully adopted as a principle of translation.The paper,based on "spirit resemblance" principle,attempts to make a comparative study of aesthetic conception between translation and literature creation,maintaining that,though they share a lot with one another,the former is so constrained that the mere freedom of the use of the "spirit resemblance" will result in improper translation. |
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| Keywords: | "spirit resemblance" principle translation aesthetic conception aesthetic conception of literature and arts comparative study |
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