| “梨园春”模式对传统戏曲的创新 |
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| 引用本文： | 杨江涛.“梨园春”模式对传统戏曲的创新[J].开封教育学院学报,2010,30(1):74-76. |
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| 作者姓名： | 杨江涛 |
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| 作者单位： | 重庆师范大学,文学与新闻学院,重庆,400030 |
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| 基金项目： | 河南省哲学社会科学规划项目:《梨园春》对中原戏曲文化的传承与创新研究最终研究成果之一,编号2007FXW006 |
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| 摘 要： | 《梨园春》把传统戏曲搬上荧屏，对传统戏曲在现代社会的发展做了有益的探索，形成了自己的模式，这主要体现在以下三点创新性经验之中：一是在戏曲内容方面植入独立自由的人格因素，二是在审美趣味方面高扬娱乐价值，三是在戏曲形式方面运用现代技术和传媒手段对古典形式做景观化处理。
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| 关 键 词： | “梨园春”模式 创新 人格价值 娱乐化 景观化 |
The Innovation of the Mode of Liyuanchun to Chinese Traditional Opera |
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| YANG Jiang-tao.The Innovation of the Mode of Liyuanchun to Chinese Traditional Opera[J].Journal of Kaifeng Institute of Education,2010,30(1):74-76. |
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| Authors: | YANG Jiang-tao |
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| Institution: | College of Literature and Journalism/a>;Chongqing Normal University/a>;Chongqing 400030/a>;China |
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| Abstract: | After removing Chinese traditional opera to screen, Liyuanchun has made an instructive exploration of the development of Chinese traditional opera in modem society. Moreover, a special mode is molded which includes three kinds of original experiences： firstly, put independent and free personality into drama＇s content; secondly, uplift aesthetic taste of amusement; thirdly, landscape the form of traditional drama by conjoining modem technology and media measures. |
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| Keywords: | mode of Liyuanchun innovation selfhood amusing landscaping |
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