| 《五号屠场》的后现代美学特征 |
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| 引用本文： | 彭菲.《五号屠场》的后现代美学特征[J].湖北广播电视大学学报,2008,28(9):62-63. |
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| 作者姓名： | 彭菲 |
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| 作者单位： | 福州大学至诚学院,福建,福州,350012 |
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| 摘 要： | 后现代美学作为后现代主义的一个重要组成部分和当代西方具有广泛影响的一股重要美学思潮,在很多后现代主义文学作品中得到了体现。通过对后现代主义的重要代表,凯特·冯内古特的《五号屠场》的分析,我们可以看出该小说对传统美学价值进行了彻底的颠覆,显示了强烈的后现代美学特征,即黑色幽默和削平深层模式。
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| 关 键 词： | 后现代美学特征 黑色幽默 无深度性 |
Slaughterhouse Five post-modern aesthetic characteristics |
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| PENG Fei.Slaughterhouse Five post-modern aesthetic characteristics[J].Journal of Hubei Radio& Televisonuniversity,2008,28(9):62-63. |
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| Authors: | PENG Fei |
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| Abstract: | The post-modem post-modernist aesthetics as an important part of contemporary Western and broad impact of a significant aesthetic ideas, in many post-modernist literature has been reflected. Through the post-modernist＇s important representatives, Kate · Feng, the ancient special ＂Slaughterhouse Five＂ analysis, we can see the fiction of traditional aesthetic values conducted a thorough subversion, show a strong post-modern aesthetic characteristics, That is, black humor and deep Xiaoping model. |
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| Keywords: | post-modern aesthetic characteristics of black humor and no depth of |
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