The scientific approach to the restoration and monitoring of mural paintings at S. Girolamo Chapel – SS. Annunziata Church in Florence |
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| Authors: | Sara Bianchin Monica Favaro Pietro Alessandro Vigato Guido Botticelli Gioia Germani Silvia Botticelli |
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| Institution: | aIstituto di Chimica Inorganica e delle Superfici, CNR, Corso Stati Uniti 4, 35127 Padova, Italy;bUniversità Internazionale dell’Arte (UIA), Firenze, Italy |
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| Abstract: | The scientific approach to the restoration and monitoring of mural paintings, at S. Girolamo Chapel – SS. Annunziata Church in Florence, is reported as a fruitful example of the synergic collaboration between restorers and scientists in the planning and development of conservative interventions. Before restoration, the painting technique and the state of preservation of the pictorial cycle have been investigated firstly by close examination of the painted surfaces and then by optical and/or SEM-EDS microscopy and μFT-IR spectroscopy on appropriately selected samples. In particular, the original constituent materials and those belonging to subsequent restorations were characterized together with those originating from decay processes. In this mural painting cycle, a peculiar “fresco” technique has been used although an auxiliary binder for pigment distemper has been also employed. The use of this technique, sometimes in an improper way together with uncorrected restoration interventions, are the main responsible of the unsatisfactory state of conservation of many painted areas. Preliminary conservation trials and scientific studies were carried out to design the most convenient restoration intervention and to verify the correctness and non-invasive of the necessary operations. Special attention was devoted to cleaning procedures, continuously monitored by a physico-chemical methodology, mainly based on microinvasive, microscopic and spectroscopic investigations, to evaluate the efficiency, advantages and drawbacks of the proposed cleaning procedures and define the most appropriate ones. Finally, specific decay markers have been recognized, by a comparison of the results obtained from the detached samples with those deriving from artificially aged models, to be used for a correct future monitoring and maintenance of the wall paintings. |
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| Keywords: | Wall painting Pictorial technique State of conservation Cleaning tests Restoration procedures Monitoring |
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