| 论金圣叹俩《读法》的文艺美学思想 |
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| 引用本文： | 施荣华.论金圣叹俩《读法》的文艺美学思想[J].云南师范大学学报(哲学社会科学版),2001,33(1):78-82. |
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| 作者姓名： | 施荣华 |
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| 作者单位： | 云南师范大学艺术学院, |
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| 摘 要： | 本文从现代文艺美学的角度评析了金圣叹《读第五才子书法》和《读第六才子书西厢记法》的主要观点，较深入地研究和分析了《读法》所提出的有关小说的艺术虚构、典型性格、创作手法，以及戏曲艺术的主要人物形象地位、“有无”等艺术辩证手法等文艺美学思想，充分肯定了金圣叹在中国古代美学发展史上对小说美学和戏曲美学理论所作出的贡献。
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| 关 键 词： | 金圣叹 读第五才子书法 读第六才子西厢记法 评点 有无 |
| 文章编号： | 1000-5110(2001)01-0078-05 |
| 修稿时间： | 2000年3月20日 |
On the aesthetic thinking
of |
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| SHI Rong-hua.On the aesthetic thinking
of[J].Journal of Yunnan Normal University(Philosophy and Social Sciences Edition),2001,33(1):78-82. |
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| Authors: | SHI Rong-hua |
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| Abstract: | This thesis analyses and makes comments on Jin Shengtan's main points of view of the two articles “On the Fifth Masterpiece” and “On the Sixth Masterpiece-The Western Chamber”from the angle of contemporary artistic and literary aesthetism.It further studies and analyses the aesthetic thinking on artistic fiction,typical feature,creative approach and roles of the main images in the drama,as well as its dialectic means of art “existence or nonexistence”.The thesis fully affirms Jin Shengtan's contributions to the theories in a esthetics of novels and drama in the history of the development of ancient Chinese aesthetics. |
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