| 审美意象的本质特征及成因初探 |
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| 引用本文： | 李永刚.审美意象的本质特征及成因初探[J].内蒙古师范大学学报(哲学社会科学版),1996(4). |
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| 作者姓名： | 李永刚 |
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| 作者单位： | 内蒙古师大教务处 |
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| 摘 要： | 中国传统文艺批评中的“意象”概念仅局限于文艺理论而没有成为具有高度概括性的美学范畴，古代的“意象”理论虽则解释了诸多文艺问题，但也存在着认识上的偏颇和体系上的不完备。用现代美学和心理学的观点和方法来界定“意象”概念，研讨其本质特征及生成原因是很必要的，它不仅对完善古代“意象”理论有帮助，而且对建立有中国特色的美学理论体系也有其应有的作用。
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| 关 键 词： | 审美意象，主体意识，心境，表象性，错觉性审美 |
INTO THE ESSENTIAL CHARACTER AND THE CAUSE OF FORMATIONOF EASTHETIC IMAGERY |
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| Li Yong-gang.INTO THE ESSENTIAL CHARACTER AND THE CAUSE OF FORMATIONOF EASTHETIC IMAGERY[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),1996(4). |
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| Authors: | Li Yong-gang |
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| Abstract: | In Chinese traditional literary criticism, the concept "imagery" is limited to the category of literary theory rather than to the highly generalized aethetic category, whereas, though the ancient imagery theory gives explanations to many literary questions, it is not completed in its system and people fail to have a comprehensive idea about it. So it is necessary to identify the concept "imagery", discuss its essential character and the cause of its formation by applying the methods and viewpoints of modern aethetics and psychology, which can not only help to perfect the ancient imagery theory, but help to establish the aethetic thoery system with Chinese Character as well. |
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| Keywords: | aesthetic imagery subject ideology state of mind presentational illusionary appreciation of beauty aethetic experience |
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