| 论《忒修斯》的叙事特点 |
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| 引用本文： | 夏清,罗晓亮.论《忒修斯》的叙事特点[J].合肥教育学院学报,2009(4):114-116. |
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| 作者姓名： | 夏清 罗晓亮 |
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| 作者单位： | [1]南京航空航天大学外国语学院,南京210016 [2]法国奥尔良大学法语系,奥尔良450072 |
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| 摘 要： | 在结构主义思潮下产生的西方当代叙事理论和文学符号学,把文学作品当作独立于作者的客观对象来研究。法国作家安德烈.纪德的中篇小说《忒修斯》,通过内叙述者和零聚焦的叙述机制,在现实和神话世界之间建立了一个可以自由出入的通道。小说对高度编码化的忒修斯神话进行了多处改写,将神话人物转化为新的文学符号。
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| 关 键 词： | 纪德 《忒修斯》 叙事理论 文学符号学 神话题材 |
Study of the Narrative Characteristics in Theseus |
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| Authors: | XIA Qing LUO Xiao-liang |
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| Institution: | 1. School of Foreign Languages, Nanjing University of Aeronautics and Astronautics, Nanjing 210016, China; 2. Dept. of French, Orleans University, Orleans 45072, France ) |
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| Abstract: | Under the current of structuralism, come into being the west contemporary narrative theory and literature semiotics. These two theories regard literature work as an independent objective and study object away from the author. In French famous writer Andre Gide＇s novelette Theseus, Gide built up a bridge between the realistic and mythological world by combining together the usage of inside narrator and zero focus. As a myth topic work, the novel rewrote many places of the myth, and turned the well- known myth person into new literature signs. |
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| Keywords: | Gide Theseus narrative theory literature semiotics myth theme |
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