| 郭沫若早期诗论与传统的诗学表现理论 |
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| 引用本文： | 赵黎明.郭沫若早期诗论与传统的诗学表现理论[J].南京师范大学文学院学报,2013(2):8-14. |
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| 作者姓名： | 赵黎明 |
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| 作者单位： | 湖北文理学院,湖北襄阳,441053 |
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| 基金项目： | 中国博士后科学研究基金资助项目，中国博士后科学研究基金特别资助项目，"湖北省重点学科建设立项学科" |
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| 摘 要： | 郭沫若早年新诗理论深受中国传统"表现诗学"影响,主要体现为对情感本位的突出、对表现自然性的重视、对自由形式的强调以及对超功利艺术的倡导等方面。这种继承与发展不仅激活了抒情主体的个性因子,冲破了传统决定论诗学一统天下的格局,而且促进了中国诗歌文体革命的顺利进行,在中国诗歌从传统到现代的转变中具有非同寻常的意义。
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| 关 键 词： | 郭沫若 早期诗论 传统表现诗学 |
Guo Moruo' s Early Poetics and the Traditional Poetic Theory of "Expression" |
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| Zhao Liming.Guo Moruo' s Early Poetics and the Traditional Poetic Theory of "Expression"[J].Journal of Chinese Language and Culture School Nanjing Normal University,2013(2):8-14. |
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| Authors: | Zhao Liming |
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| Institution: | Zhao Liming |
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| Abstract: | Guo Moruo＇ s early new poetic theory was deeply influenced by Chinese traditional ＂expres- sional poetics＂, demonstrated in aspects of emphasizing on emotional and natural expression, highlighting free styles and advocating non -utilitarian art. This heritage and its development not only activated the individual- ist genes in the lyricists, broke through the dominant traditional determinist poetic theory, but also promoted the smooth development of Chinese poetic style revolution, and has extraordinary significance in the transition from traditional to modern poetry. |
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| Keywords: | Guo Moruo early poetics traditional poetic theory of expression |
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