| 沈约声律论管窥 |
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| 引用本文： | 杨和为.沈约声律论管窥[J].六盘水师范高等专科学校学报,2012,24(1):14-20. |
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| 作者姓名： | 杨和为 |
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| 作者单位： | 六盘水师范学院中国语言文学系 贵州六盘水553001 |
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| 摘 要： | 钟嵘《诗品》将齐梁间文坛领袖沈约置于中品,且在序中攻击沈约颇为自负的声律学说,引起后世争议。通过对沈约及其声律学说的探讨,指出"四声八病"说虽然在草创之初不免有繁琐而多拘忌的毛病,但却是魏晋以降文学进入自觉时代之后的必然产物,同时也跟汉语音韵学的发展有很大的关系。沈约声律论为后来唐代近体诗的成熟奠定了基础,实属诗歌艺术规律的一项重大发现,是诗歌审美观念更新的必然结果。在从古体诗向格律诗演进的过程中,沈约实有开拓首创之功。
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| 关 键 词： | 钟嵘 沈约 永明体 四声八病 诗乐分途 近体诗 |
A Glance at ShenYue's Tonal Rhyme Theory |
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| YANG He-wei.A Glance at ShenYue's Tonal Rhyme Theory[J].Journal of Liupanshui Teachers College,2012,24(1):14-20. |
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| Authors: | YANG He-wei |
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| Institution: | YANG He-wei(Chinese Department; Liupanshui Normal University;Liupanshui 553001,China) |
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| Abstract: | Zhong Rong ’s "Critique of Poetry " places Shen Yue in Medium grade who was the literary leader in Qi and Liang Dynasties; What’s more it attacks Shen Yue proud rhythm theory in the preface, and caused later dispute. Based on the theory of Shen Yue and its rhythm, the present andicle, points his out thar theory "Four Tones and Eight Weaknesses" although the start at the beginning of somewhat cumbersome and more constrained taboo. But after the Wei and Jin Dynasties the literature went into a conscious period after the inevitable result. At the same time the thoery of "Four Tones and Eight Weaknesses" has a close relationship to the Chinese phonology development . Shen Yue theory of tones for later Tang Dynasty poems nearly mature development laid the foundation, in fact the poetry of a great discovery, is thar poetry is the inevitable result of aesthetic concept renewal. From the classical poetry to metrical pattern of poetry during the process of evolution, Shen Yue is a pioneering initiative work. |
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| Keywords: | Zhong Rong Shen Yue Yong ming Style Four Tones and Eight Weaknesses Poetry and music separately metrical pattern of poetry |
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