| 《铸剑》与《奔月》:灵魂的自我审视 |
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| 引用本文： | 杨永明.《铸剑》与《奔月》:灵魂的自我审视[J].临沂师范学院学报,2007,29(5):77-80. |
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| 作者姓名： | 杨永明 |
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| 作者单位： | 武汉大学,文学院,湖北,武昌,430072 |
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| 摘 要： | 《铸剑》和《奔月》从其产生的过程来看,都是作家生命意识的一种外化,是鲁迅对自我灵魂进行的无情的解剖和展示,是他信念迷失和精神痛苦、矛盾、彷徨所产生的灵魂深处的独特的情感体验。"后羿"和"黑衣人"正是鲁迅内心世界分裂的人格矛盾的体现,二者分别象征着鲁迅思想对立的两极。"后羿"的形象中蕴涵着鲁迅灵魂深处的一种浓厚的虚无感和自卑感,而"黑衣人"则代表着他决绝地向黑暗势力复仇的坚强意志。
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| 关 键 词： | 鲁迅 《故事新编》 《铸剑》 《奔月》 创作心理 |
| 文章编号： | 1009-6051（2007）05-0077-04 |
| 修稿时间： | 2007-08-11 |
Sword Casting and Assend to Heaven: Self-critic Awareness of Soul |
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| YANG Yong-ming.Sword Casting and Assend to Heaven: Self-critic Awareness of Soul[J].Journal of Linyi Teachers' College,2007,29(5):77-80. |
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| Authors: | YANG Yong-ming |
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| Institution: | The Chinese Literature College, Wuhan University, Wuhan Hubei 430072, China |
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| Abstract: | Sword Casting and Assend to Heaven are an extension of the writer's life awareness from the angle of their production process.Through them,Lu Xun showed some kind of self-examination and self-critic awareness and presented his distinctive emotion.He exposed his soul,despair and struggle."Houyi"and "Shadow Man" represented his contradiction extreme,with one of them nihility and inferiority and the other vindictiveness. |
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| Keywords: | Lu Xun Revision of Old Stories Sword Casting Assend to Heaven writing mentality |
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