| 论明代青阳腔的崛起及其曲体变迁的特征 |
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| 引用本文： | 黄振林.论明代青阳腔的崛起及其曲体变迁的特征[J].池州学院学报,2011(5):8-12. |
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| 作者姓名： | 黄振林 |
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| 作者单位： | 东华理工大学江西戏剧资源研究中心,江西抚州,344000 |
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| 基金项目： | 国家社科基金项目“明清传奇与地方声腔关系研究” |
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| 摘 要： | 明代青阳腔是在昆腔传奇体制日臻完善和成熟基础上的民间突围,体现了民间艺人深厚的文化立场。早期青阳腔多是艺人对宋元南戏的移植和改造,后来逐渐参与了对文人传奇的演唱,并与昆腔"平分天下"。青阳腔对昆腔的冲击在于对曲牌乐句的断分,造成曲牌连套体部分的错层和错位。而大量的"滚调"又迫使青阳腔对弦索的抵制,鼓、板、笛、锣一直伴随着青阳腔的伴奏。
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| 关 键 词： | 青阳腔 昆腔 曲体变异 鼓板 |
A Study of Rising of Qingyang Opera in Ming Dynasty and Characteristics of Its Tune Change |
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| Huang Zhenlin.A Study of Rising of Qingyang Opera in Ming Dynasty and Characteristics of Its Tune Change[J].Journal of Chizhou College,2011(5):8-12. |
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| Authors: | Huang Zhenlin |
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| Institution: | Huang Zhenlin(Research Center of Jiangxi Opera Resource,East China Institute of Technology,Fuzhou,Jiangxi 344000) |
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| Abstract: | Qingyang Opera is folk breaking-through based on the perfection and maturity of Kun Opera system, which reflects the cultural position of folk artists. Early Qingyang Opera is transplanted and transformed from Nan Opera in Song and Yuan Dynasty, then gradually becomes equal in status. Qingyang Opera has direct impact on Kun Opera in the disjunction of the tunes and phrases, which causes misplacement of tune parts. Many ＂Gun Tunes＂ in Qingyang Opera resists string music. Qingyang Opera is accompanied with drums, bamboo clappers, flutes and gongs. |
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| Keywords: | Qingyang Opera Kun Opera Tune Variation Clappers |
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