| 志贺直哉《学徒的菩萨》的叙事分析 |
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| 引用本文： | 孙立春.志贺直哉《学徒的菩萨》的叙事分析[J].安徽师范大学学报(人文社会科学版),2007,35(3):361-364. |
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| 作者姓名： | 孙立春 |
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| 作者单位： | 天津师范大学,文学院,天津,300384 |
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| 摘 要： | 《学徒的菩萨》是白桦派主将志贺直哉的短篇佳作。这篇小说在叙事上表现出很高的艺术技巧。首先，小说中的人物处理呈现出一种不对等的关系。其次，虽然小说的叙事视点多次变换，实际上小说仍然采用了全知的视角模式，并且叙述者是个矛盾的存在。还有，小说运用分镜头的电影技巧，收到了良好的艺术效果。通过分镜头的聚焦与对比，突出并强化了作品的主题思想。
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| 关 键 词： | 志贺直哉 叙事 人物处理 叙述者 分镜头 |
| 文章编号： | 1001-2435(2007)03-0361-04 |
| 修稿时间： | 2006-04-04 |
Narrative Analysis of Siganaoya's God of Apprentice |
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| SUN Li-chun.Narrative Analysis of Siganaoya's God of Apprentice[J].Journal of Anhui Normal University(Humanities and Social Sciences),2007,35(3):361-364. |
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| Authors: | SUN Li-chun |
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| Institution: | College of Literature, Tianjin Normal University, TianJin 300384, China |
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| Abstract: | God of Apprentice is one of the master pieces of Siganaoya,Sirakaba's representative figure.This fiction demonstrates high artistic technique in its narration.Firstly,in the fiction character arrangement shows an unequal relationship.Secondly,though the point of view changes a lot,the omniscient point view is used and the narrator is a contradictory existence.Besides,the fiction receives a favorable artistic result by the technique of montage and gives prominence to the theme through focusing and comparing montage. |
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| Keywords: | Siganaoya narration character arrangement narrator montage |
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