| 论宋代花鸟画中的世俗化因素 |
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| 引用本文： | 董云霞.论宋代花鸟画中的世俗化因素[J].临沂师范学院学报,2014,36(5):107-110. |
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| 作者姓名： | 董云霞 |
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| 作者单位： | 厦门城市职业学院学前教育系,福建厦门,361000 |
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| 摘 要： | 宋代是中国绘画发展的高峰时期,在此期间花鸟画风格发生了转变,由承袭黄筌"富丽工巧"的宫廷花鸟画逐渐转向于"清新淡雅"的世俗化花鸟画。世俗化花鸟画造型严谨、生动逼真、极具生活气息,追求人性化的情境,是对自然生活的再创造,将情、景、理融为一体,使宋代花鸟画具有独特的艺术风格和魅力。
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| 关 键 词： | 宋代 花鸟画 世俗化 崔白 |
On the Secularization Elements of Flower-and-bird Painting in Song Dynasty |
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| DONG yun-xia.On the Secularization Elements of Flower-and-bird Painting in Song Dynasty[J].Journal of Linyi Teachers' College,2014,36(5):107-110. |
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| Authors: | DONG yun-xia |
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| Institution: | DONG yun-xia (Department of Pre-school Education, Xiamen Municipal Vocational College, Xiamen Fujian 361000, China) |
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| Abstract: | Song Dynasty is the peak time of Chinese drawing development, In this period, flower-and-bird painting style has had the transformation, by carries on yellow bamboo fish trap ＂splendid exquisite＂ the palace flower-and-bird painting changes gradually into ＂fresh elegantly simple＂ these colorization flower-and-bird painting. The secularization flower-and-bird painting from the theme, the painters emotion analyzes the modeling rigorously, vivid lifelike, and pursues friendly situation, which is the creation of the nature life. The sentiment, the scene, the principle merge into one organic, enable the Song Dynasty flower-and-bird painting to have the unique artistic style and the charm. |
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| Keywords: | Song Dynasty flowers and birds painting common custom Cui Bai |
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