| 论鸳鸯蝴蝶派小说与受众接受的关系 |
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| 引用本文： | 高华珊.论鸳鸯蝴蝶派小说与受众接受的关系[J].十堰职业技术学院学报,2006,19(3):11-13. |
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| 作者姓名： | 高华珊 |
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| 作者单位： | 嘉应学院地理系,广东,梅州514015 |
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| 摘 要： | 鸳鸯蝴蝶派一直以来都是一个颇受争议的文学流派,然而在中国现代文学史上,与对其实行批判、打击的新文学相比,鸳鸯蝴蝶派却占有绝对的市场控制权,拥有新文学所不及的广大的读者群。本文试图从受众接受的角度探讨这一历史现象。
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| 关 键 词： | 鸳鸯蝴蝶派 受众接受 期待视野 |
| 文章编号： | 1008-4738（2006）03-0011-03 |
| 收稿时间： | 2006-04-10 |
| 修稿时间： | 2006年4月10日 |
Relationship between The Mandarin Duck Butterfly and the acceptance of audience |
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| GAO Hua-shan.Relationship between The Mandarin Duck Butterfly and the acceptance of audience[J].Journal of Shiyan Technical Institute,2006,19(3):11-13. |
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| Authors: | GAO Hua-shan |
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| Abstract: | The Mandarin Duck Butterfly,as a literature genre,is quite disputed in literary circle.However,in Chinese modern literary history,it holds an absolute market control power and has many readers compared with The New Literature,which fights against it.This article attempts to discuss the historical phenomenon from the angle of the acceptance of audience. |
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| Keywords: | The Mandarin Duck Butterfly the acceptance of the audience the vision of anticipation |
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