| 论建国后荧屏领袖形象的发展及其美学意义 |
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| 引用本文： | 王志刚.论建国后荧屏领袖形象的发展及其美学意义[J].江苏广播电视大学学报,2006,17(4):51-53. |
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| 作者姓名： | 王志刚 |
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| 作者单位： | 南通市广播电视大学,江苏,南通,226006 |
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| 摘 要： | 塑造领袖形象是文艺界一个富有挑战性的课题。领袖人物从神坛的圣像回归到有血肉的普通人,经历了漫长的时间过程和理论历程。这是政治开明的结果,也是时代发展的需要,还是文艺自身发展规律使然,具有十分重要的美学意义。
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| 关 键 词： | 政治意识形态 艺术意识形态 领袖形象 影视艺术 |
| 文章编号： | 1008-4207(2006)04-0051-03 |
| 收稿时间： | 05 12 2006 12:00AM |
| 修稿时间： | 2006年5月12日 |
On the Development and the Aesthetic Meanings of the Images of Leaders on the Screen after the Founding of the New China |
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| WANG Zhi-gang.On the Development and the Aesthetic Meanings of the Images of Leaders on the Screen after the Founding of the New China[J].Journal of Jiangsu Radio & Television University,2006,17(4):51-53. |
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| Authors: | WANG Zhi-gang |
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| Abstract: | It is a challenging task in the field of literature and art to create images of leaders.It takes a long theoretic process for leaders to return from icons on the altar to common folks.It is the result of democratic politics as well as the law of the development of literature and art,and it is also the requirement of the current development.Therefore,it is of great aesthetic significance. |
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| Keywords: | political ideology arty ideology images of leaders film-video arts |
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