| 元杂剧与讲唱文艺演述方式的相似性 |
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| 引用本文： | 张本一.元杂剧与讲唱文艺演述方式的相似性[J].信阳师范学院学报(哲学社会科学版),2008,28(6):89-92. |
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| 作者姓名： | 张本一 |
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| 作者单位： | 信阳师范学院文学院,河南信阳,464000 |
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| 摘 要： | 戏剧与讲唱伎艺在北宋京都的瓦舍勾栏一同繁盛，促使戏剧叙事功能的强化和戏剧故事的世俗化，并直接导致了元杂剧的形成。因此元杂剧与讲唱文艺在演述方式上有明显的相似之处，主要表现在故事整体结构上词话韵语的大量间插、单折中第三人称讲唱形式的直接运用、故事背景交待及人物内心情感抒发中讲唱人声口等几个方面。
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| 关 键 词： | 元杂剧 讲唱文艺 演述方式 相似性 |
The Similarity of the Method of Performarce and Narration between Yuan Drama and Literature of Talking and Singing |
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| ZHANG Ben-yi.The Similarity of the Method of Performarce and Narration between Yuan Drama and Literature of Talking and Singing[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2008,28(6):89-92. |
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| Authors: | ZHANG Ben-yi |
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| Institution: | ZHANG Ben-yi ( School of Liberal Arts, Xinyang Normal University, Xinyang 464000, China) |
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| Abstract: | Opera and performance of speaking and singing flourished at the platform in the capital of Northern Song dynasty at the same time. It reinforced the narrative function of opera, made the stories in opera popular and lead in the formation of Yuan opera directly. So therei＇e obvious similarity of the method of performance and narration between Yuan opera and hterature of speaking and singing. It mainly shows in the following aspects ： lots of insertion of rhythmical verses in the whole structure, direct use of the third -person opeaking and singing in the plot, explanations of storiesbackground, andspeaker or singer＇s voice and shahe of mouth duing the expression of inner emotion. |
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| Keywords: | Yuan opera opera and performance of speaking and singing method of performance and narration similarity |
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