| 论中国画的写意精神 |
| |
| 引用本文： | 骆亚男.论中国画的写意精神[J].桂林师范高等专科学校学报,2009,23(3):154-156. |
| |
| 作者姓名： | 骆亚男 |
| |
| 作者单位： | 桂林师范高等专科学校美术系,广西桂林,541001 |
| |
| 摘 要： | 写意是中国传统绘画最主要的特征。儒、释、道相互影响，相互渗透，对中国画文化品格及写意精神的生成、培养和发展，起着十分重要的作用。“意”是作者发挥性灵感想，于画外寄托的高情雅致。是画家参与造化之机，脱却胸中尘俗的、极纯粹的心境。以书入画——书写性是写意画的不二门法。
|
| 关 键 词： | 写意 天人合一 中国画 |
On Ideas and Emotions Expressed with Freehand Brushwork in Chinese Painting |
| |
| Luo Yanan.On Ideas and Emotions Expressed with Freehand Brushwork in Chinese Painting[J].Journal of Guilin College of Education,2009,23(3):154-156. |
| |
| Authors: | Luo Yanan |
| |
| Institution: | Luo Yanan (Dept. of Fine Arts, Guilin Normal College,Guilin Guangxi 541001) |
| |
| Abstract: | Emphasizing the sentiments with freehand brushwork is a major characteristic in Chinese traditional painting. Confucianism, Buddhism and Taoism are intertwined and contribute a great deal in generating,cultivating and developing the quality of Chinese culture and the ideas and emotions expressed with freehand brushwork. ＂Idea＂ is not only the painter＇s spirit conveyed by the forms in his paintings, but also his unworldly and purified inner states during the course of his artistic creation. Borrowing those techniques used in Chinese calligraphy is the only way to the success of freehand style in Chinese painting. |
| |
| Keywords: | ideas and emotions expressed the harmony of man with heaven Chinese painting |
| 本文献已被 维普 万方数据 等数据库收录！ |
