| 论文人画的审美思想根源 |
| |
| 引用本文： | 刘剑峰.论文人画的审美思想根源[J].娄底师专学报,2011(1):84-85,100. |
| |
| 作者姓名： | 刘剑峰 |
| |
| 作者单位： | 湖南人文科技学院美术系,湖南娄底417001 |
| |
| 摘 要： | 文人画自古以来都是作为深受传统文化教育的士大夫抒发胸臆的一种形式，因而其作品究其根源必然受到传统文化思想的影响。尤其是儒家思想中的“动静有常，浩然正气”，道家思想中的“得意忘言，道通为一”和佛家思想申的“真空不空，妙有非有”对文人画审美影响深远。
|
| 关 键 词： | 文人画 审美思想根源 道家 儒家 佛家 |
On Aesthetic Idea Origin of Literati Paintings |
| |
| LIU Jian-feng.On Aesthetic Idea Origin of Literati Paintings[J].Journal of Loudi Teachers College,2011(1):84-85,100. |
| |
| Authors: | LIU Jian-feng |
| |
| Institution: | LIU Jian-feng (Department of Palnting, Hunan Institute of Humanities, Science and Technology, Loudi 417001, China) |
| |
| Abstract: | Since ancient times, literati paintings have always been a kind of form which the literati and officialdom who received traditional education expressed their aspiration, so their works are certainly influenced by traditional culture. Taoism＇ s ＂people＇ s behavior confirms with standard, they have awe - inspiring righteousness. ＂ Confucianism＇ s ＂meaning grasped words forgotten, being one body with Dao＂ and Buddhism＇ s ＂vacuum is not empty＂ especially influence literati painting appreciation of the beauty. |
| |
| Keywords: | literati painting aesthetic idea orion Taoist Confucian Buddhism |
| 本文献已被 维普 等数据库收录！ |
|
