| 唐诗三百首中登高意象的分类及意蕴阐释 |
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| 引用本文： | 刘红霞.唐诗三百首中登高意象的分类及意蕴阐释[J].南京师范大学文学院学报,2001(2):12-16. |
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| 作者姓名： | 刘红霞 |
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| 作者单位： | 南京师范大学,文学院,江苏,南京,210097 |
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| 摘 要： | 登高意象频繁地出现在古诗中，《唐诗三百首》中它的意蕴类型足以囊括所有诗歌中的抒情意义，这种现象的出现有诗人对古代诗歌传统的继承，也有唐代社会的时代因素。各种意蕴类型之问有密不可分的联系，了解这种联系对我们理解把握诗人寄寓在登高意象中的抒情意义和情感脉络是必要的。
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| 关 键 词： | 唐诗三百首 登高意象 意蕴类型 阐释 |
| 文章编号： | 1008-9853(2001)02-0012-05 |
| 修稿时间： | 2001年2月16日 |
The implication patterns and interpretation of the acsending image in the Three- hundred Tang Poetry |
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| LIU Hong-xia.The implication patterns and interpretation of the acsending image in the Three- hundred Tang Poetry[J].Journal of Chinese Language and Culture School Nanjing Normal University,2001(2):12-16. |
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| Authors: | LIU Hong-xia |
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| Abstract: | The acsending image appears frequently in ancient poetry. Ant it has enough types of implications in Three-hundred Tang Poetry to sweep up every lyric sighificance of all of the poems. What causes this phenomenon in poets inheritance from the ancient poetic conventions as well as elements of the times in Tang society. Every implications patterns relates closely to each otheer. To grasp the lyric sighificance and to hold the line of emotion, which poets combined with the acsending image, it is essential for us go understand that relationship. |
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| Keywords: | Three-hundred Tang Poetry the acsending image types of implications interpre-tation |
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