| 戏剧中潜台词的处理和运用 |
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| 引用本文： | 郭学阳,康柳,王佳佳.戏剧中潜台词的处理和运用[J].石家庄职业技术学院学报,2013(5):39-42. |
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| 作者姓名： | 郭学阳 康柳 王佳佳 |
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| 作者单位： | 河北传媒学院表演系,河北石家庄050071 |
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| 摘 要： | 对戏剧潜台词的挖掘可以更接近人物，感受形象和剧本的灵魂。舞台表演中，可以紧扣舞台行动发挥潜台词的魅力，运用简洁的语言表达潜台词丰富的内涵，还可以针对规定情境准确表现潜台词的内容。演员只有熟练把握潜台词的处理方法和技巧，才能使表演更加深刻，与观众产生心灵上的共鸣。
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| 关 键 词： | 戏剧 潜台词 行动 |
Skills of performances of the connotations of lines |
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| GUO Xue-yang,KANG Liu,WANG Jia-jia.Skills of performances of the connotations of lines[J].Journal of Shijiazhuang Vocational Technology Institute,2013(5):39-42. |
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| Authors: | GUO Xue-yang KANG Liu WANG Jia-jia |
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| Institution: | (Department of Performance, Hebei Institute of Communications, Shijiazhuang, Hebei 050071, China) |
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| Abstract: | Actors and actresses need to show their understandings of the lines in their performances, which helps show the genuine emotions and images of characters, and the souls of the dramas. Likewise, connotations of the lines may be closely blended with performance skills. Words are simple, but once they are embedded in contexts,they demand actors and actresses to give dimensional efforts and complete understandings of each and every line of the play. |
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| Keywords: | drama line action |
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