| 洞见与盲视:卞之琳的新诗格律论 |
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| 引用本文： | 王永.洞见与盲视:卞之琳的新诗格律论[J].石家庄学院学报,2007,9(2):54-57. |
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| 作者姓名： | 王永 |
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| 作者单位： | 首都师范大学,中国诗歌研究中心,北京,100089 |
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| 摘 要： | 围绕新诗格律的问题，卞之琳提出了自己的理论主张，其重点是将“顿”视为诗律的核心。并从节奏角度划分诗歌的形式。卞之琳的诗歌理论显示了白话新诗在理论层面上对语言规律的探索和语言内在音乐性的寻求的成绩。但从诗歌效果史和诗歌写作实践上看，其理论又有着局限。
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| 关 键 词： | 卞之琳 顿 说话型节奏 哼唱型节奏 |
| 文章编号： | 1673-1972（2007）02-0054-04 |
| 收稿时间： | 2006-12-15 |
| 修稿时间： | 2006年12月15 |
Discernment and Blindness: Bian Zhilin's Metrics on Chinese New Poetry |
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| WANG Yong.Discernment and Blindness: Bian Zhilin''''s Metrics on Chinese New Poetry[J].Journal of Shijiazhuang University,2007,9(2):54-57. |
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| Authors: | WANG Yong |
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| Abstract: | Bian Zhilin made his theory of the metrics on Chinese new poetry.He put Dun(pause) in the core of versification and maintained that the forms of Chinese new poem should be differentiated by the rhythm.Bian Zhilin's theory of Chinese new poetry shows achievements in the history of Chinese new poetry.It also has limitations as far as the poetic effect and the writing of new poem are concerned. |
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| Keywords: | Bian Zhilin Dun(pause) speaking-type rhythm singing-type rhythm |
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