| 张爱玲对海派小说传统的耽溺和超越 |
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| 引用本文： | 王蕾.张爱玲对海派小说传统的耽溺和超越[J].玉溪师范学院学报,2007,23(2):32-36. |
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| 作者姓名： | 王蕾 |
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| 作者单位： | 云南大学,中文系,云南,昆明,650091 |
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| 摘 要： | 作为海派小说的殿军人物,张爱玲对海派小说强烈的认同感和地域、时代经验上的共鸣,使其耽溺于海派传统;但她又能打破海派的言情模式,在对都市文明的反思之上建立了“苍凉”的文学史观,塑造一系列“不彻底”的人物形象则又对海派传统有所超越。张爱玲为中国现当代小说对“都市民间”的书写提供了一个范本。
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| 关 键 词： | 海派传统 市民小说 自恋恋物 反思文明 |
| 文章编号： | 1009-9506(2007)02-0032-05 |
| 修稿时间： | 2006年12月23 |
Zhang Ailing's Indulging in and Surmounting of the Shanghai Style Novel Tradition |
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| WANG Lei.Zhang Ailing''''s Indulging in and Surmounting of the Shanghai Style Novel Tradition[J].Journal of Yuxi Teachers' College,2007,23(2):32-36. |
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| Authors: | WANG Lei |
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| Abstract: | Zhang Ailing was an outstanding rearguard of the Shanghai style novelists. Her indulgence in the style came from her strong identification in experiences with both the time and place. But she managed to break through the love theme of the tradition and formed a historically desolate perspective of literature as shown in her creating a series of 'un-thorough' characters, which has already gone beyond the tradition. In a sense, she provided exemplary works for townsfolk writing. |
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| Keywords: | Shanghai style novel tradition townsfolk novel object for narcissism civilization reflection |
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