| 浅谈“言意之辨”的诗学化走向 |
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| 引用本文： | 焦瑛.浅谈“言意之辨”的诗学化走向[J].十堰职业技术学院学报,2012,25(2):57-59. |
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| 作者姓名： | 焦瑛 |
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| 作者单位： | 西南大学文学院,重庆北碚,400715 |
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| 摘 要： | 言意之辨,从先秦开始就成为我国古代哲学层面争论不休的一个话题。圣人们各抒己见,"言能尽意论"、"言不尽意论"、"得意忘言论"、"立象以尽意"等等言论层出不穷。人们注重的是言能否达意,而忽视"言"本身所具有的价值和局限性。随着文学的发展,"言意之辨"逐渐诗学化。文学家开始从"言"与"意"的矛盾统一关系中探究艺术想象的诗意空间,极大的影响了后世的文艺理论创作。
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| 关 键 词： | 言意之辨 言不尽意 局限性诗学化 |
On Poetic Orientation of Words and Meaning |
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| JIAO Ying.On Poetic Orientation of Words and Meaning[J].Journal of Shiyan Technical Institute,2012,25(2):57-59. |
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| Authors: | JIAO Ying |
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| Institution: | JIAO Ying(College of Liberal Arts,Southwest University,Chongqing 400715,China) |
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| Abstract: | "Words and Meaning" has been a controversial topic since Pre-Qin period in China’s ancient philosophy.Saints held different views: "words can express meanings","words fail to express meanings","words can be found while meanings fail" and "meanings can be achieved through images" etc.People focused on whether words have the ability to convey ideas while neglected the value and limitations of "words".With the development of literature,"Words and Meaning" turned to the poetic orientation gradually.Man of letters began to explore the artistic imagination in the unification of contradictions between "Words" and "meaning",which greatly influenced later generations of literary creation. |
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| Keywords: | Words and meaning words fail to express meanings limitations poetic orientation |
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