| 从“媒介为先”原则看“文学场”的裂变 |
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| 引用本文： | 陈定家.从“媒介为先”原则看“文学场”的裂变[J].温州大学学报(社会科学版),2011(3). |
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| 作者姓名： | 陈定家 |
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| 作者单位： | 中国社会科学院文学研究所; |
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| 摘 要： | 20世纪以来的文学发展史已让人们清楚地看到,文学与媒介之间存在着一种极为复杂的多重互动关系。对于作家来说,媒介绝不只是文学创作的工具和手段;对于作品及传播来说,媒介也不只是作品贮存的载体与流布的通道;对于读者来说,媒介也不仅仅是认识理解文学的门径与渠道。在一定意义上说,媒介作为文学跨时空传播的物质载体,它既是文学生存发展的重要历史条件,也是文学实现社会价值的主要依托,而且还是艺术理念与审美精神的寄身寓所。媒介在与文学长期相互依存的互动过程中,已日渐由文学的形式因素转化为它的内容与本质因素。
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| 关 键 词： | 媒介为先 数字化 文学媒介 文学场 |
Study on Fission of Literary Field from Principle of Media for the First |
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| CHEN Dingjia.Study on Fission of Literary Field from Principle of Media for the First[J].Journal of Wenzhou University,2011(3). |
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| Authors: | CHEN Dingjia |
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| Institution: | CHEN Dingjia(Institute of Literature,Chinese Academy of Social Sciences,Beijing,China 100732) |
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| Abstract: | From the developmental history of literature since the 20th century,people can see clearly that there is a very complicated relationship between literature and media,which is multiple and interactive.For writers,media is not just the vehicle and means for literary creation at all;for works and communication,media is not just the carrier for storage of works and passage for spread;for readers,media is not just the approach and channel for knowing and understanding literature.In a sense,as the material carrie... |
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| Keywords: | Media for the First Digitization Literary Media Literary Field |
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