| 影视史学的真实性和虚构性 |
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| 引用本文： | 曹寄奴.影视史学的真实性和虚构性[J].遵义师范学院学报,2003,5(2):11-13. |
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| 作者姓名： | 曹寄奴 |
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| 作者单位： | 丽水师范专科学校,政史系,浙江,丽水,323000 |
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| 摘 要： | 影视史学是历史学与现代影视相结合而产生的一门新学科。它给历史学领域注入新的气息和活力,将为实现史学文化的社会价值与认识价值而做出自己的贡献。影视史学一出现,历史的真实性与艺术的虚构性之间的关系便引起了人们深深的思索。影视文本中的历史与客观存在的历史永远是两条渐近线;这两条渐近线只能无限接近,而不能完全重合。
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| 关 键 词： | 影视史学 真实性 虚构性 |
| 文章编号： | 1009-3583(2003)02-0011-03 |
| 修稿时间： | 2003年2月19日 |
Truth and Fiction of Movie- TV Historiology |
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| CAO Ji-nu.Truth and Fiction of Movie- TV Historiology[J].Journal of Zunyi Normal College,2003,5(2):11-13. |
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| Authors: | CAO Ji-nu |
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| Abstract: | Movie -TV historiology is a new subject which is the combination of history and modern photography. It brings new spirits and activity to the historical area and will contribute to the realization of social and cognitive value of the historical culture. As soon as historiophoty appears, it leads people to think deeply of the relation between the truth of history and the fiction of art. History of photography and objectivity is forever two lines which near gradually, two lines only near infinitely, but do not coincide fully. |
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| Keywords: | Movie - TV historiology truth fiction |
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