| 浅析中国传统哲学与中国画的虚实关系 |
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| 引用本文： | 樊莉.浅析中国传统哲学与中国画的虚实关系[J].甘肃高师学报,2008,13(1):72-74. |
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| 作者姓名： | 樊莉 |
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| 作者单位： | 合作民族师范高等专科学校,甘肃合作,747000 |
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| 摘 要： | 千百年来,中国画的发展有着自己完善独到的美学理论。中国历代画家正是运用这些美学原理,创作出了大量优秀的艺术作品。而他们的艺术思维、美学思想受中国传统哲学思想的重要指导和影响。经过历代美学家、艺术家的研究和实践,将中国传统哲学的“有无”思想有机地融入中国画的“虚实”理念之中,形成了中国画独特的艺术风格。
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| 关 键 词： | 道 实境 虚境 虚实相生 |
Chinese traditional philosophy in shallow analyse and the truth or falsity relation of the China painting |
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| Fan li.Chinese traditional philosophy in shallow analyse and the truth or falsity relation of the China painting[J].Journal of Gansu Normal College,2008,13(1):72-74. |
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| Authors: | Fan li |
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| Institution: | Fan li (Hezuo Minorities Teacher＇s College, Hezuo Gansu,747000) |
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| Abstract: | For thousand a hundred yearses,the development of the China painting has got the perfect and original esthetics in oneself theories.Chinese in the past the painter makes use of these estheticseses principle exactly,the artistic outed the excellent art in large quantity work.But their art thought,esthetics thought suffers the important leading that Chinese traditional philosophy thought with affect.Through the research of the in the past esthetician,artist with practice,is traditional China philosophic" have 、no" the thought melts into the "truth or falsity" principle that China draw organically,becoming China painting special art style. |
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| Keywords: | taoists materil fabricate The truth or falsity livings mutually |
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