| 牧童归去横牛背,短笛无腔信口吹——从《牧童短笛》看中西田园音画的不同意境 |
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| 引用本文： | 陈伟,郑璐.牧童归去横牛背,短笛无腔信口吹——从《牧童短笛》看中西田园音画的不同意境[J].上海师范大学学报(基础教育版),2010,39(3). |
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| 作者姓名： | 陈伟 郑璐 |
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| 作者单位： | 上海师范大学,都市文化研究中心,上海,200234 |
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| 基金项目： | 教育部人文社会科学重点研究基地项目"中国早期都市流行歌曲与都市文化" |
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| 摘 要： | <牧童短笛>是在新文化背景下诞生的中国现代钢琴曲,刻画了完全不同于西方风格的中国田园音画.其贯穿古今、融汇中西的创作思路为作品奠定了坚实而独特的基础,使民族性和世界性得到了完美的统一.分析、借鉴<牧童短笛>的创作理念对当前的文化建设仍有积极的意义.
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| 关 键 词： | 《牧童短笛》 钢琴曲 民族渊源 创作理念 |
The Cowboy Is Going Back,Straddling a Cow and Playing His Short Flute in a Casual Way:Different Artistic Contexts of Chinese and Western Pastoral Musical Pictures Seen From The Cowboy's Short Flute |
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| CHEN Wei,ZHENG Lu.The Cowboy Is Going Back,Straddling a Cow and Playing His Short Flute in a Casual Way:Different Artistic Contexts of Chinese and Western Pastoral Musical Pictures Seen From The Cowboy''s Short Flute[J].Journal of Shanghai NOrmal University,2010,39(3). |
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| Authors: | CHEN Wei ZHENG Lu |
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| Institution: | CHEN Wei,ZHENG Lu(Centre for Research on Metropolitan Culture,Shanghai Normal University,Shanghai,200234,China) |
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| Abstract: | The Cowboy's Short Flute is a piano tune in contemporary China born in the context of a new culture.It portrays a musical picture with Chinese features in a rural scene,which is entirely different from the Western musical style.The train of thought running through the past and the present and thoroughly acquainted with the Chinese and the Western laid a solid and unique foundation for the musical work.,showing a perfect integration of national features with international characteristics.It is still of posit... |
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| Keywords: | The Cowboy\'s Short Flute piano tune national origin creative notion |
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